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Joshua Prince-Ramus
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Joshua Prince-Ramus (born 11th August, ) has made a significant mark as one of the most promising young architects working today. Named one of the five greatest architects under 50 in by The Huffington Post, Prince-Ramus made a name for himself as one of Rem Koolhaas' many protégés before forming his practice, REX, in
Receiving a bachelor of arts in philosophy from Yale, Prince-Ramus graduated from Harvard’s Graduate School of Design in He gained prominence at a young age as a founding principal of OMA’s New York office—perhaps most notably working as partner-in-charge of the firm's acclaimed Seattle Central Library project after Prince-Ramus, a Seattle native, flew across the Atlantic on a day's notice to register the firm's interest in competing for the commission. Prince-Ramus eventually bought out Rem Koolhaas’ share of the company in to form REX, taking the 35 staff of OMA's New York office with him.
In addition to the Seattle Central Library, during his tenure as director of OMA New York he oversaw the design of Las Vegas’s Guggenheim-Heritage Museum and the beginnings of the Dee and Charles Wyly Theater in Dallas, completed in under REX. Other notabl
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Short Profile
Name: Joshua Ramus
DOB: 11 August
Place of birth: New Haven, Connecticut, United States
Occupation: Architect
Mr. Ramus, what concerns you about the architecture industry today?
Our profession has stagnated in how it deals with the advancement of both individuals and firms. Opportunity is rarely based on capability, but primarily on experience: “I’ve done so many hours, I’ve paid my dues and I’ve met certain qualification requirements.” And that’s more endemic of American practice than it is European practice.
So what was it like for you working at OMA in Rotterdam in your early days?
I benefited greatly from Rem Koolhaas’ commitment to ability over experience. Rem provided us with opportunities far beyond our years, opportunities that generated a whole diaspora of ex-OMA firms currently doing exceptional work. But in general, young architects today are met with limited prospects within the traditional practice model, and will likely still be considered young 30 years from now. Alternatively, you can find your own methods of practice; explore your capabilities. I’m not saying that it’s easy, but there are many recent examples of successful young architects who have established their own unique courses of practice.
“These experiences pushed me to grow at