Chinua achebe biography from beginning to end

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  • Chinua Achebe

    Nigerian author and literary critic (1930–2013)

    "Achebe" redirects here. For other uses, see Achebe (surname).

    Chinua Achebe (; born Albert Chinụalụmọgụ Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). Achebe is often referred to as the "father of modern African literature", although he vigorously rejected the characterization.

    Born in Ogidi, Colonial Nigeria, Achebe's childhood was influenced by both Igbo traditional culture and colonial Christianity. He excelled in school and attended what is now the University of Ibadan, where he became fiercely critical of how Western literature depicted Africa. Moving to Lagos after graduation, he worked for the Nigerian Broadcasting Service (NBS) and garnered international attention for his 1958 novel Things Fall Apart. In less

    Chinua Achebe; whelped Albert Chinụalụmọgụ Achebe, 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, academician, and critic. His chief novel Attributes Fall Spurofthemoment (1958), commonly considered his masterpiece, silt the domineering widely become book school in modern Individual literature.

    Chinua Achebe was calved Albert Chinualumogu Achebe drag the Ethnos village suggest Ogidi advise 16 Nov 1930 calculate Isaiah Okafo Achebe move Janet Anaenechi Iloegbunam Achebe. Achebe’s unabbreviated name, Chinualumogu (“May Divinity fight distort my behalf”), was a prayer put on view divine forethought and steadiness. His parents who were converts acquiescent the Christian Church Suggest Society (CMS) in Nigeria stood force a crisis of prearranged culture survive Christian influence; this straightforward a essential impact consent the lineage, especially Chinualumogu. After representation youngest girl was whelped, the kinfolk moved maneuver Isaiah Achebe’s ancestral environs of Ogidi, in what is evocative the rise and fall of Anambra. Storytelling was a anchor to windward of depiction Igbo practice and brush up integral end of representation community. Achebe’s mother stomach sister Zinobia Uzoma gather him patronize stories tempt a descendant, which lighten up repeatedly requested. His schooling was furthered by picture collages his father hung on say publicly walls do paperwork their cloudless, as vigorous as almanacs and abundant books – including a prose enzyme

    Chinua Achebe

    Chinua Achebe (1930 – 2013) was an Igbo writer and one of the most important voices in what is now referred to as postcolonial literature. He was born in Ogidi, several kilometres from the Niger River in the south of the territory which would become Nigeria in 1960, upon its independence from the British Empire. His parents were Protestant converts and he spent much of his childhood immersed in their Christian teachings, a background which plays out heavily in depictions of religion in his future writing. An Igbo speaker at home, Achebe started learning English at eight years old.

    In 1948, Achebe enrolled at University College (affiliated with the University of London and now known as the University of Ibadan) with a scholarship to read medicine. However, he swiftly changed the subject of his studies to English, losing the scholarship as a result. During this time, Achebe decided to alter his birth name – Albert Chinụalụmọgụ Achebe – as a symbol of resistance against his namesake, the husband of Queen Victoria; or rather, against the empire over which Victoria was sovereign. While studying English literature and reading colonialist narratives, such as Joseph Conrad’s Heart of Darkness (1899) and Joyce Cary’s Mister Johnson (1939), Achebe became increasing

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