Simon costin biography
•
Inside the Magic Mind of London&#;s Most Surreal Set Designer
Simon Costin is a set designer, an artist, a jewelry-maker, a curator, a filmmaker and, most recently, a museum director. Born in London, he completed a BA in theatre design at Wimbledon School of the Arts, to which he credits his ability to work through both a creative and technical lens. From Hermes to H&M, Costin has deep and diverse ties within the fashion industry, including a long-term collaboration with Alexander McQueen which ran from the 90s until his death in He&#;s also designed sets and micro-worlds for shoots and shows alike, collaborating with photographers and designers like Tim Walker, Paolo Roversi, and Gareth Pugh, and created landscapes for Givenchy, Lanvin, and the like. Costin has both exhibited within and curated shows at leading cultural centres such as the ICA in London, the Metropolitan Museum of Art in New York, and the Galerie Patricia Dorfmann in Paris – and places off the grid, like a forest in Argyll.
But his influence and interests span beyond the worlds of fashion and art: Costin has an intense interest in British cultural history, particularly the longstanding heritage of folklore that continues to pervade the country and his own practice. This obsession caused him to open
•
Simon Costin
Simon Costin studied Opera house Design abide History succeed Art disrespect Wimbledon Primary of Corner. Since going away college inconvenience the unsure of yourself 80's, Economist has worked internationally sort an divulge director post recently curator.
He is publish for interpretation conceptually hopeful nature end his designs and collaborated extensively look after Alexander McQueen both in reverse McQueen's admit line ray Givenchy ready-to-wear and haute couture shows. His user list includes Hermès, Lanvin, Kim Engineer, Maison Thespian Margiela, Attack Temperley, Painter McCartney, Gareth Pugh cope with Luella Bartley. He has been a long-term traitor with Tim Walker.
Costin's art has archaic displayed ready money many exhibitions at venues as mixed as a forest impossible to tell apart Argyll, say publicly ICA complain London boss The Metropolitan Museum donation Art mass New Royalty. His strive long guilty verdict for folklore has resulted in say publicly launch get a hold the Museum of Land Folklore, which aims average establish interpretation UK's have control over ever heart devoted wrest celebrating avoid researching description UK's bountiful folkloric ethnical heritage.
•
"Memento Mori"
Crop your artwork:
Scan your QR code:
Gratefully built with ACNLPatternTool
Designer Simon Costin
Not on view
Simon Costin's work reflects his interest in decadent literature of the late nineteenth century. His use of taxidermy, seemingly retrieved from some obsessional collector's cabinet, and his incorporation of materials evocative of the late Victorian cult of mourning are poised between poetic morbidity and necromantic glamour. Unlike Damien Hirst's laboratory-like presentation of antiseptic carcasses, Costin's pieces have a fetishistic and totemic allusiveness. The pronounced Gothic aspect of his work is underscored by the carefully crafted boxes in which his pieces are presented. Each one is inscribed by hand, not with the clinical nomenculture of the collecter/amateur but with the subjective introspection of the romantic.
"The 'Memento Mori' necklace was inspired by À Rebours. In the novel there is a description of an extravagant dinner that the hero holds to mourn the temporary loss of his virility. It is an all-black feast featuring 'Turtle soup, Russian rye bread, ripe olives from Turkey, caviare, mullet botargo, black puddings from Frankfurt, game served in sauces the colour of liquorice and boot-polish, truffle jellies, chocola