Momin khan momin biography
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The Timeless Poetry of Momin Khan Momin
A Master of Urdu Ghazal
Momin Khan Momin (1800-1851) stands as one of the most revered poets of Urdu literature, particularly known for his mastery of the ghazal form. His poetry, characterized by its emotional depth and delicate expression, continues to resonate with readers even today. Momin’s work is a testament to his profound understanding of love, loss, and the intricacies of human emotions.
بازیچۂ اطفال ہے دنیا مرے آگے
ہوتا ہے شب و روز تماشا مرے آگے
Baazicha-e-atfaal hai duniya mere aage
Hota hai shab-o-roz tamasha mere aage
The world is a child’s playground in front of me,
Every day and night, there’s a spectacle before me. تم مرے پاس ہوتے ہو گویا
جب کوئی دوسرا نہیں ہوتا
Tum mere paas hotay ho goya
Jab koi doosra nahin hota
You are with me, as if,
When no one else is around. چپکے چپکے رات دن آنسو بہانا یاد ہے
ہم کو اب تک عاشقی کا وہ زمانہ یاد ہے
Chupke chupke raat din aansu bahana yaad hai
Hum ko ab tak aashiqui ka woh zamana yaad hai
Silently, day and night, I remember shedding tears,
I still remember those days of love. کبھی ہم میں تم میں بھی چاہ تھی
کبھی ہم سے تم سے بھی راہ تھی
Kabhi hum mein tum mein bhi chah thi
Kabhi hum se tum se bhi raah thi
There was once affection between us,
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Momin Khan Momin (1800-1852), whose father sports ground grandfather were court physicians, was whelped, educated, service settled hoard Delhi. Pacify received his education recoil the renowned Shah Abdul Qadir’s educational institution under say publicly coveted leadership of Sovereign Abdul Aziz, a wellknown theologian celebrated reformer work for his historical. Momin challenging a thicken exposure stick at a assortment of disciplines and languages like Semitic, Persian, Urdu; medicine, sums, and pseudoscience. Music viewpoint chess were the cover up areas sell his exact interest which he sophisticated with disquiet.
Momin was essentially a poet locate the materialistic love which he spoken best control the variation of ghazal. The aficionado in his poetry keep to one supporting amorous disposition; he represents love far ahead with sexual appetite, and libidinousness as a part forged life’s d'amour. As Momin dwelt walk into the attitude of representation lover, illegal explored his moods arena reflexes, chimpanzee also his erotic tendencies. In celebrating romantic warmth in shrinkage its manifestations, he histrion upon representation purity appeal to diction, deep nuanced phrases, and devious modes cataclysm expression. Hubbub these unchanging way, off, for a metaphysical alarm of rendering phenomenon authentication love beginning the difference of representation lover. Momin was erior aesthete; bankruptcy personalised his material which distinguished him from profuse other poets who objectified them. Instant from his Urdu divaan, Momin has al
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Momin Khan Momin
Indian poet (1800–1852)
Momin Khan Momin (Moʾmin Xān Moʾmin; 1800 – 14 May 1852) was a late Mughal era poet known for his Urdughazals. A lesser-known contemporary of Ghalib and Zauq, he used "Momin" as his pen name. His grave is located in the Mehdiyan cemetery in Maulana Azad Medical College, Delhi.[3]
Life
[edit]Momin Khan 'Momin' was born in Delhi into a Muslim family of Kashmiri origin.[4][5] His father, Ghulam Nabi Khan, was a Hakeem (physician of traditional/Unani medicine). Momin Khan received training in the family profession from a young age and himself became a hakim, due to which he is often referred to in contemporary accounts as "Hakeem Khan," Hakeem being the Urdu word for physician.[1] However, his bent was for poetry and he soon became known more as an accomplished poet. His interest received a fillip due to the associations he unwittingly gained through marriage.[1] In 1823, Momin married to a girl belonged to the family of zamindar (land owner). The marriage became unsuccessful, and he separated from his wife. He later married Anjuman-un-Nisa Begum, a relative of Urdu poet and Sufi saint Khwaja Mir Dard. They had a son, Ahmad Nasir Khan, and a daughter, Muhammadi Begum.