Marcie blaine biography samples
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The month of December 1962 found the US airwaves filled with female teen idols. "All Alone Am I", lamented Brenda Lee, while Dee Dee Sharp urged everyone to "Ride", Mary Wells sang about her "Two Lovers" and Little Eva warned her rivals to "Keep Your Hands Off My Baby". Sitting pretty above them all in the record charts at the time was MARCIE BLANE, who wanted to be . . . BOBBY'S GIRL.
Prior to that moment, Marcie had lived the life of the archetypal American teenager. Real name MARCIA BLANK, she grew up in Brooklyn, New York with her parents Ernest and Muriel, older sister Janet, and younger brother and sister, Carl and Sandra. Marcie had music in her blood. Pa Blank earned his living as a professional musician and music teacher. He had been working as a pianist in the Catskills when he first met and fell in love with 16-year-old Muriel Shalit, whose parents would only consent to their daughter's marriage on the understanding that Ernest graduated from college first. Sure enough, after gaining a degree in music education at NYU, the couple were wed.
Marcie loved nothing better than to entertain her family and friends by singing her favourite folk songs, accompanying herself on piano and guitar. When the Blanks relocated to Queens, Long Island, she enlisted at Ja
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Biography
I think, consequence I am; therefore I write, account, as Lyricist John Upright support (1793 –1864) wrote: “I am! up till what I am no one cares represent knows,”
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Marcie Blane (“Bobby” Girl”)
Marcie’s Second & Last Hit
Marcie Blane turned 74 in 2018 – born in May of 1944 in Brooklyn, New York.
In 1963 she made her mark in riding onto the charts with her “girl group” sound with “Bobby’s Girl”. The song was a big success released on the Seville record label, and climbing all the way to number 2 on the Billboard Hot 100 racking up sales of over one million copies.
Marcie was born Marcia Blank and was raised in a musical family. In high school she played both flute and violin while serving as well as head cheer leader as well as well as a senior class officer. In her private time she learned and played both guitar and piano and loved nothing more than presenting mini performances for her family.
Then, in 1962, almost as an afterthought, Marcia was asked to sing a demonstration song by a friend. According to her she thought it would just be a simple singing exercise and that would be that.
But Seville’s A&R executive at Seville Records, Marv Holtzman, was intrigued by what he heard on the demo. He liked the style and sound of the young girl’s voice and suddenly she found herself signing a recording contract. She continued on with her usual activiti