Kimiko yoshida biography sample

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    Gekkō no Natsu (Summer of the Moonlight Sonata)
    Directed by Seijirō Kōyama
    Written by Tsuneyuki Mori
    Pony Canyon, 1993, 111 min., Video

    This touching movie about two kamikaze pilots who love playing the piano became a big hit when released in 1993. Over 2.1 million people saw the film within two years of its release, and it was shown in over 2,000 locations in Japan. Gekkō no Natsu (Summer of the Moonlight Sonata) has strongly influenced Japanese people's perception of kamikaze pilots as cultured and sensitive young men. This movie's great popularity led to creation of a documentary novel, children's book, and drama CD on the same subject.

    Tsuneyuki Mori, who has written several other documentaries, plays, and novels about issues related to the war and postwar period, wrote the novel Gekkō no Natsu in 1991. He also wrote the script for the movie, which received financial support for its production from Tosu City in Saga Prefecture, the Chiran Peace Museum for Kamikaze Pilots, and many other individuals and organizations.

    Although the movie is fictional, it is based on the true story of two kamikaze pilots who one day in May 1945 visited Tosu Elementary School, located several m

    Kimiko Yoshida

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  • Notes

    Brecher, W. Puck. "Notes". The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan, Honolulu: University of Hawaii Press, 2013, pp. 203-236. https://doi.org/10.1515/9780824839123-009

    Brecher, W. (2013). Notes. In The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan (pp. 203-236). Honolulu: University of Hawaii Press. https://doi.org/10.1515/9780824839123-009

    Brecher, W. 2013. Notes. The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan. Honolulu: University of Hawaii Press, pp. 203-236. https://doi.org/10.1515/9780824839123-009

    Brecher, W. Puck. "Notes" In The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan, 203-236. Honolulu: University of Hawaii Press, 2013. https://doi.org/10.1515/9780824839123-009

    Brecher W. Notes. In: The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan. Honolulu: University of Hawaii Press; 2013. p.203-236. https://doi.org/10.1515/9780824839123-009

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