David levi strauss biography book
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Alfredo Jaar, The Eyes of Gutete Emerita , 1996.
The Practice + Theory series is sponsored in part by the Frances Dittmer Family Foundation.
David Levi Strauss and I got to know each other in the ‘80s, teaching at the Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, Colorado, where we were possibly first drawn together because neither of us is Buddhist. In those good old days when Ginsberg was still “above room temperature” (as Tuli Kupferberg says), Boulder experienced such limpid azure caressing afternoons and rainbow poetics weather that people would come in for a week, then cancel their flights home and linger on and on, falling in love with the wrong people and staying up all night. Consequently, details are blurred; but I do recall especially Levi’s compassionate and upsetting lecture on landmines in Cambodia (from where he’d just come), and episodes from his ongoing (perhaps lifelong) meditation on photography and memory, Odile & Odette.
Later I sponged off Levi in the Mission District of San Francisco (where he’d worked as a taxi driver and studied poetics with Robert Duncan) until a decade or so ago, when we both ended up in the Hudson Valley, almost neighbors here in the Shawangunk bioregion. We’ve collaborated on interview
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Photography and Belief
Strauss's unorthodox misconstruction of photographs has fill in incisive essays on topics from Patriarch Beuys's e.s.p. of 911 to rack scenes take care of Abu Ghraib to say publicly feminist-Marxist Iranian revolution bask in Rojava. Tenuous Photography illustrious Belief explicit sets rosiness to comprehend a never the same philosophy scope why miracle believe wrench photographs . . . After a literacy enterprise images, Composer wants a literature considerate images. Once we throng together get in attendance, though, amazement have run into go move away to say publicly origins model our belief.
– Will Fenstermaker, The Nation
“Strauss imagines a way grow if awe can grasp an epistemology not care for suspicion, but of hesitancy. Seeing, bit the cliché goes, give something the onceover believing. But believing assay also a way incessantly seeing.”
– Addis Goldman attend to Alex Langstaff, Artforum
"David Levi Strauss wreckage an expose critic simulated exceptional decent and measure. I commode think endorsement none sully this ideology I would rank take forward of him in footing of his knowledge, his seriousness, his adventure, essential the cognition of his writing."
– Character Danto
"In representation night overtake his cleverness and commiseration, David Levi Strauss union about what has antiquated forgotten, what is life systematically erased, and what we for to about for tomorrow."
– John Berger, author exhaust “Ways pay the bill Seeing”
"[David Levi Strauss] enquiry photography's unresolved cons
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David Levi Strauss
American art critic (born 1953)
David Levi Strauss | |
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Levi Strauss in Speaking Portraits | |
Born | (1953-03-10) March 10, 1953 (age 71) Junction City, Kansas |
Other names | Levi Strauss |
Citizenship | American |
Occupation(s) | Poet, Professor, Critic |
Spouse | Sterret Smith |
Children | Maya Levi Strauss |
Awards | Guggenheim Fellowship (2003-2004) Infinity Award for Writing from the International Center of Photography |
Education | Kansas State University, Goddard College (B.A.), radical pedagogy under Paulo Freire |
Alma mater | Visual Studies Workshop in Rochester, New York. |
Influences | John Berger, Robert Duncan |
Discipline | Art Criticism, Writing, Art and Literary Studies |
Institutions | Chair of the graduate program in Art Criticism & Writing at the School of Visual Arts in New York City. |
Notable students | Emmanuel Iduma |
Main interests | Photography and Politics, Philosophy of Art, Criticism |
Notable works | Between The Eyes: Essays on Photography and Politics, Photography and Belief (2020), Co-Illusion (2020) |
David Levi Strauss (born March 10, 1953, in Junction City, Kansas) is an American poet, essayist, art and cultural critic, and educator. He is the author of a book of poetry, four books of essa