Biography s&n behrman subjects

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    1912-1987

    Playwright and author S. N. (Samuel Nathaniel) Behrman was born in Worcester, Massachusetts in 1893. He was the youngest of three sons raised by Lithuanian immigrants in the heart of Worcester's Jewish community on Providence Street. An older sister was killed in a streetcar accident during her childhood. The family lived in a tenement which Behrman later mused was "heavily populated with angels," their imaginary presence invoked by the Hebrew prayers of his father, a devout, scholarly man who spent long hours studying the Talmud. As a boy, the precocious Behrman was befriended and mentored by Daniel Asher, a young man six or seven years his senior whom he met through one of his brothers. Under Asher's tutelage, Behrman became a prize-winning leader of his high school debate team. Asher introduced his protégé to the theatre, critiqued his earliest attempts at writing and encouraged him to pursue a literary career.

    From 1912-1914, Behrman attended Clark College, where his first essays, short stories and dramatic sketches were published in the student literary magazine. In a 1914 piece entitled "Psychology and the New Philosophy of the Theatre," Behrman praised the work of George Bernard Shaw and Henrik Ibsen, and called for a "progressiv

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    From 1912-1914, Behrman attended Pol College, where his leading essays, accordingly stories tell off dramatic sketches were in print in representation student literary magazin

    S. N. Behrman

    American dramatist

    Samuel Nathaniel Behrman (; June 9, 1893 – September 9, 1973) was an American playwright, screenwriter, biographer, and longtime writer for The New Yorker. His son is the composer David Behrman.

    Biography

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    Early years

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    Behrman's parents, Zelda (Feingold) and Joseph Behrman, emigrated from what is now Lithuania to the United States,[1] where Samuel Nathaniel Behrman was born, the youngest of three sons, in a tenement in Worcester, Massachusetts in 1893.[2] His parents spoke little English, and his father was a Talmudic scholar. (Though known for his sophisticated comedies and worldly characters, Behrman fondly dramatized his family-centered, impoverished childhood in one of his last plays, the 1958 The Cold Wind And The Warm, an autobiographical drama starring Eli Wallach, Maureen Stapleton, and Morris Carnovsky.[3]) His own path, however, took him far from the Orthodox world of his parents.

    A schoolmate and intimate friend, Daniel Asher, brought him to the theater when he was eleven to see Devil's Island, inspiring in him a love of the stage.[4] "When he was a boy, Behrman saw all the famous plays and players of the first decade [of the twentieth century] as an usher in a W

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