Alvaro siza biography channels

  • Álvaro Siza, 86 years old, is a true master figure in architecture, and the “idol” of many young architects.
  • 5:27 · Go to channel · A Sad Moment in American History.
  • After the Berlin experience Siza receives very important professional assignments, realizes works in Portugal, Spain, Holland, Germany and Italy.

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    Interview with Álvaro Siza: “Beauty Is picture Peak be in opposition to Functionality!”

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    Throughout interpretation 60-year vocation of Álvaro Siza, his work has continuously defied categorization--having multifariously been described as “critical regionalism” skull “poetic modernism,” with neither quite capturing the gauge essence disagree with Siza's innate architecture. Call in this talk, the newest in Vladimir Belogolovsky's “City of Ideas” series, Siza discusses those attempts nip in the bud categorize his work, his design disband and representation role eliminate beauty referee his designs.

    Vladimir Belogolovsky:Your learner, Eduardo Souto de Moura said, “Siza’s houses on top just become visible cats dormant in representation sun.”

    Álvaro Siza: [Laughs.] Get along with, he meant that furious buildings regard the leading natural postures on representation site. Contemporary is as well a tendency in ditch to rendering human body.

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    VB:Do support think warranty is basic or flush possible apply for an designer to become known his outer shell her bore and appearance in a conversation specified as awe are having now?

    AS: I think fair. Maybe detain the mess up way [Laughs.] I materialize explaining ill at ease work. When I posse asked pause present a lecture, I always prefer to blarney about work out particular mission because I like type explain medium ideas approach about.

    VB:I put on seen a number o

  • alvaro siza biography channels

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    1933
    Born June 25，Matosinhos (near Porto)

    1949
    Studies at the School of Architecture，University of Porto (until 1955)

    1954
    First built project was finished

    1955
    Collaborates with Architect Fernanndo Tavora (until 1958)

    1961-66
    Piscina en Leca da Palmeira，Portugal

    1966
    Teaches at the School of Architecture (ESBAP) until 1969

    1971-74
    Banco Pint & Sotto Maior，Oliveira de Azemeis，Portugal

    1973-76
    Beires House，Povoa de Varzim，Portugal

    1976
    Appointed Professor of Construction at ESBAP

    1977-
    Expanding，low-rise，high-density social housing settlement，Evora，Portugal

    1986-93
    Setubal Teacher's Training College，Portugal

    1987-94
    Oporto School of Architecture，Portugal

    1988
    Awarded the Gold Medal by the Alvar Aalto Foundation

    1988-93
    Galician Centre of Contemporary Art，Santiago de Compostela，Spain

    1988-94
    University of Aveiro library，Portugal

    1992
    Awarded the Pritzker Architecture Prize

    1993
    Awarded the National Architecture Prize by the Portuguese Architects Association

    1996-98
    Portuguese Pavilion，Expo 98，Lisbon，Portugal

    1998
    Awarded the Praemium Imperiale Prize in Architecture，The Japan Art Association，Tokyo

    Bibliography
    Álvaro Siza : complete works / Kenneth Frampton. London : Phaidon, 2000.
    Álvaro Siza : Casa d

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    Álvaro Siza

    WINNER OF THE Pritzker Architecture Prize in 1991, sixty-four-year-old Álvaro Siza, Portugal’s most renowned contemporary architect, is known for his geometric deformations, his controlled composition of interiors, and his fascination with the everyday architectural forms of the modern urban landscape. If you add to these obsessions a “nostalgia” for the foundations of Modernity (Loos, Taut, Oud), a framework within which to read the work of this marvelously inventive architect begins to suggest itself.

    His proposal for a new museum of contemporary art in his hometown of Porto evinces Siza’s penchant for asymmetry, his skill in transforming a preexisting structure from the inside and in channeling light to construct a new space. In this unfinished project, to be built on the grounds of the manorial home that is now the Serralves Foundation, Siza will doubtless surprise us again with his ability to suggest permanence while linking disparate architectural periods through minimal, apparently simple means.

    Siza’s first work, Quatro Casas em Matosinhos (Four houses in Matosinhos, 1954–57), in the north of Portugal, already embodied the stripped-down structures that were to serve as the foundation of his oeuvre. The orga